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Weekly Edition of 07 July 2008 Issue #28


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The Work/...

Editor's Choice
: : IBM Harley-Davidson : :
Play IBM Harley-Davidson Play via iTunes Podcast

IBM Harley-Davidson Title: Harley-Davidson
Client: IBM
Air Date: June 2008

Agency: Ogilvy NY
Vice Chairman: Chris Wall
ECD: Susan Westre
GCD(s): Jeff Curry, Aaron Griffiths
CD: Chris Curry
EP: Lee Weiss
Producer: Kristen Ettinger

Prod Company: Greenhouse Productions
Director: Jeff Feuerzeig
DP: Fortunato Procopio
Producer: Andy Grasheim
Production Manager: Bianca Darville

Editorial: Go Robot
Editor: Tim Wilson

Audio Post: Sound Lounge
Mixer: Rob DiFondi

Song Title: Running Through My Mind
Artist: The Black Hollies
Master: Bank Robber o/b/o Ernest Jenning Recording Co.
Publisher: Bank Robber o/b/o House of Hassle

Sound Lounge's DiFondi Mixes with IBM and Harley-Davidson

The Brief:
The skilled mixing of Sound Lounge's Rob DiFondi brings two unlikely American icons together, Harley-Davidson and IBM via Ogilvy New York. The revealing two-minute piece takes us on a journey into the eclectic world of Harley-Davidson, where IBM's cutting edge portal technology plays a crucial role in keeping the motorcycle maker connected to its customer base.

A bluegrass soundtrack as distinct as the throaty rumble of a Harley engine propels us through a series of spirited testimonials that underscore the organic connection between rider and bike. When asked what it's like to ride on the back of a Harley, one woman responds, "When I'm on the back of a Harley, I feel close to God."

No matter what walk of life they hail from, Harley riders are part of one community and IBM's cutting edge technology has transformed Harley-Davidson into a brand that lives with their customers. What they say about legends is true: they never stop innovating.

About Sound Lounge:
New York-based Sound Lounge is an industry leading provider of audio post production services. The studio's 12 mixing suites are fully equipped with the latest in digital audio technology, including all the gear necessary to perform 5.1 surround sound mixes for cinema and HD. The company is artist-owned and features a staff of mixers who set the standard for creative excellence and technical mastery. Their dedication to quality has earned a loyal patronage from top advertising agencies, television, and film studios nationwide.

For More Information Ping Trust
646.452.3388 (NY) | 310.451.5153 (LA) | Website: Trust Collective











Good Stuff
: : Net10 Microwave : :
Play Net10 Microwave


Net10 Microwave Title: Microwave
Client: Net10
Air Date: June 2008

Agency: Droga5
Creative Chairman: David Droga
ECD: Duncan Marshall, Ted Royer
Copywriter: Kevin Brady
Art Director: Alex Lea
Agency Producer: Dana May

Prod Co: Smuggler
Director: David Frankham
EP(s): Patrick Milling Smith, Brian Carmody
Producer: Allison Kunzman

Editorial Company: Lost Planet
Editor: Geoff Hounsell

VFX: The Mill

Sound Designer: Bill Chesley
Sound Design: Amber

Audio Post: Sound Lounge, NY
Mixer: Evan Mangiamele

Droga5, Smuggler, and Sound Lounge Unleash a Monster for Net10

The Brief:
Evan Mangiamele of Sound Lounge mixes the audio-rich monster viral hit Microwave for prepaid wireless service, Net10 via Droga5 for Smuggler director David Frankham. In what seems like a home video prank gone horribly wrong, a mobile phone is placed inside a microwave oven. Instead of exploding, the phone sizzles and pops it's way into a smoking brick of plastic that unleashes an alien-like beast, snarling to break free.

About Sound Lounge:
New York-based Sound Lounge is an industry leading provider of audio post production services. The studio's 12 mixing suites are fully equipped with the latest in digital audio technology, including all the gear necessary to perform 5.1 surround sound mixes for cinema and HD. The company is artist-owned and features a staff of mixers who set the standard for creative excellence and technical mastery. Their dedication to quality has earned a loyal patronage from top advertising agencies, television, and film studios nationwide.

For More Information Ping Trust
646.452.3388 (NY) | 310.451.5153 (LA) | Website: Trust Collective











Food & Beverage
: : Coke Zero The Breakup : :
Play Coke Zero The Breakup Play via iTunes Podcast


Coke Zero The Breakup Title: The Breakup

Client: Coca Cola

Brand: Coke Zero

Released: June 2008

Country: Denmark

Agency: Grey Copenhagen

Tagline: Real taste, zero sugar





Real taste, zero sugar











Spot Of The Week
: : Diamond Empowerment Fund Diamond For Futures : :
Play Diamond Empowerment Fund Diamond For Futures


Diamond_Empowerment_Fund_Diamond Title: Diamonds for Futures
Client: Diamond Empowerment Fund
Executive Director, Diamond Empowerment Fund: Ellen Haddigan
Director, Diamond Information Center: Sally Morrison
Creative Agency: JWT New York
Co-President/Chief Creative Officer: Ty Montague
Executive Creative Directors: Walt Connelly, Kash Sree
Creative Director: Rob Omodiagbe
Copywriter: Bee Reynolds
Producers: Scott Chinn, Jennifer Mastrorilli
EVP, Business Director: Richard Lennox
Account Directors: Colby Shergalis & Jamie Cadwell
Account Manager: Lauren Rodwell

Production Company: Blacklist, New York
Executive Producer: Adina Sales
Producer: O'Hara Tudor & Rich Rama
Production Coordinator: Alexander Unick

Animation Company: Waytion
Director: Martin Burström
Producer: Erik Gullstrand
Gaffer: Fredrik Wenzel
Production Assistant: Turtle Rydelius
Stylist: Sara Nordlöf
Make-Up: Maria

Music: Sound Lounge

"Diamonds for Futures" for the Diamond Empowerment Fund is the latest from Blacklist, directed by Waytion, via JWT New York

The Spot And Beyond
Blacklist is a a mixed-media production company based in New York alongside sister company Psyop. Blacklist has a roster of international directing talent.

Waytion is a Stockholm based directing collective and animation studio. They execute their projects through all stages, from pre to post production, including directing live-action film, illustration, 2D and 3D animation, vfx and editing. The majority of their work is oriented towards music videos and commercial production. Waytion began collaborating with Blacklist on US based productions in 2008.

Notes from Waytion about the DEF project:
Our main goal was to create a spot that feels as "non-posted" and "non-overproduced" as possible. Ideally, the viewer should be convinced that actual drawings were made in camera. After much debate on methodology we decided to make the whole piece in stop motion. We shot live action with a still camera to create our initial body of elements. We locked a rough cut, made adjustments to the still imagery, and began animating frame by frame. The biggest challenge was to make the animation timing work with the live action stop motion rhythm. This was a very tricky process requiring a lot of trial and error. The last week of the project, we fine tuned the animation by adjusting the quality of the animated lines, their texture, and the compositing to live action. We wanted to achieve some smudgy moments and in general to feel as though the drawing was actually being applied to the skin. We are thrilled with the end result.

Martin Burström was the creative director on the project, as well as the illustrator and primary animator. He is also a co-owner of Waytion and has been with the company since it started in January 2003. He is well regarded as an awarded director of music videos and broadcast graphics in Sweden.

About the Diamond Empowerment Fund
Founded in 2007, The Diamond Empowerment Fund™ (D.E.F.) is a non-profit international organization with the mission to raise money to support education initiatives that develop and empower economically disadvantaged people in African nations where diamonds are a natural resource.

Established by individuals and businesses in the diamond and jewelry industries and others who are committed to the empowerment of Africa, we believe education is one of the most critical elements that powers society and empowers individuals to realize their full human potential. D.E.F. endeavors to partner with African education organizations that have a proven methodology for helping young people achieve success through self-determination, focus, and opportunity.

For More Information Contact:
Shannon Stephaniuk | Website: glossyinc.com











Staff Pick
: : Euronews Executive Woman : :
Play Euronews Executive Woman


Euronews_Executive_Woman Title: Executive Woman
Advertiser: euronews
Agency: FFL Paris
Agency Managers: Fred & Farid, Nathalie Chopra, Brune Failliot
Creative director: Fred & Farid
Copywriter: Julien Boulard
Artistic Director: Julien Boulard
Managers of Advertiser: Philippe Cayla - Michael Peters - Olivier de Montchenu - Walid Chamak - Nathalie Champagne - Elena Calamo Specchia
TV production: Robin Accard - Laure Scalbert
Production: Guerrilleros Production
Media strategist: Pascal Crifo (FFL Media)
Number of films: 3
Duration: 30 and 20 seconds

Global rebranding for euronews by the independent agency FFL Paris (Fred & Farid)

The Spot And Beyond
euronews is unveiling the most important development in its 15 year history.

The news channel, together with the independent agency FFL Paris (Fred & Farid), has conducted a strategic renewal of its brand. Since june 4th, everything at euronews has changed: a new logo| a new signature | a new look | a new identity for the programmes | a new website | a new marketing campaign of unedited communication | and a new advertising campaign (film and print) has started.

euronews, the leading news channel in Europe
Since 1993, euronews has made its name among the international news channels. It is broadcast throughout the world and leads the European market in audience and distribution despite increasing competition. Audience success, however, is not enough; a brand war is taking place.

A new strategic and creative platform, developed together with the independent agency FFL Paris (Fred & Farid), to promote the news channel's philosophy, which is based on objectivity.
For 15 years, euronews has been fighting to broadcast accurate, verified information without any kind of bias. In January 2007, euronews joined forces with the independent agency FFL Paris (Fred & Farid) to combine its global media experience with that of a global communications agency to assess the strategic direction of the news channel. The purpose of the new platform is to highlight the relevance of the euronews model and demonstrate that prioritising facts over perspectives is a virtue at a time when society is experiencing increasing media corruption. In this era of the "citizen journalist ", euronews has adopted the crucial task of ensuring every European citizen is quickly made aware of the facts he needs to form his opinion of the world.

Consequently, the new brand platform of euronews boasts a distinct and unique model in a highly competitive news universe:
- No studio, no anchormen for a unique and immediately identifiable style;
- A European, and therefore, a different outlook on the world;
- A multilingualist approach enhanced by the introduction of an eighth language in 2008, Arabic;
- An editorial policy of broadcasting accurate and verified information.

The philosophy of euronews:
"At euronews, we think that to systematically adopt a sensationalist approach to information coerces and distorts the judgement of television viewers. At euronews, we believe in human intelligence, and we think that the role of a news channel is to provide every individual with sufficient material for him to form his own opinion of the world. "Journalism is not about bias; it is about transcribing reality with pure objectivity."

From this point on, every element of the re-branding process (the signature, the logo, the communications campaign and the media strategy) will advance reinforce the euronews promise.

A simple white circle as the new logo
A circle, one of the simplest geometric forms, is the ultimate symbol of simplicity and perfection. A colour code consisting purely of white, grey and black to highlight our dedication to the information itself and to position euronews as a universal channel (seen on FTP site indicated below).

A new brand signature, PURE encapsulates the euronews mission and its brand values in a single word.
The new euronews signature epitomises the fundamental values of the channel: honesty, integrity, neutrality, transparency in the broadcasting of information and, in particular, respect for the viewer who is looking for information over spectacle.

An advertising campaign that adheres to the principles of transparency in its style and content.
The euronews communications campaign is, above all, honest and transparent - like the news channel itself. The objectives of the communications are revealed and clearly explained to the consumer in terms of the message as well as the strategy and choice of media support. The print visuals and films are perfectly adapted to the supporting media - an original element has been produced for each distribution vehicle

A multimedia strategy developed by FFL Media
In the European daily newspapers and trade press (Germany, Spain, France, Italy, United Kingdom, and Russia) as well as in the United Arab Emirates and the United States; On display in airports and railway stations (London, Brussels, Paris, and Frankfurt); On TV (20" and 30" spot campaigns on Eurosport and Trace TV, June 2008); Online in the form of advertising on the Internet sites of European publications and as a viral marketing operation.

About euronews
Launched in January 1993 euronews covers world affairs from a European perspective. euronews is broadcast 24 hours a day, simultaneously in seven languages: English, French, German, Italian, Spanish, Portuguese and Russian. Arabic will become euronews' eighth fully-fledged language, and the service will be launched by the channel's newsroom in 2008.

euronews is broadcast all over the world, reaching 200 million households in 130 countries by cable, digital satellite and terrestrial distribution. The channel is also available on mobile operators (3G, VOD) in 20 European countries, on ADSL/High Speed Internet networks in 30 countries worldwide, and live on board the aircraft of international airlines. Viewers can watch euronews on their PDAs and live on the Internet in Europe on RealNetworks Superpass, and everywhere in the world through Jalipo. euronews and no comment TV are also available on YouTube.

euronews is the most-watched international news channel in Europe: every day, 3.2 million Europeans watch euronews on cable and satellite, while another 3.1 million watch on terrestrial channels (Source: euronews/Telmar Peaktime©, evaluation system based on viewer ratings, 3rd quarter 2007).

For More Information Contact FFL Paris
Eleonore Raillard (PR) | Eleonore.Raillard[at]fflparis.fr | Website: fflparis.fr





Tomato Spacer




See Print Copy/...

: : Euronews English Airport : :

Click Euronews English Airport.

Euronews_English_Airport Title: English Airport
Advertiser: euronews

Agency: FFL Paris

Agency Managers: Fred & Farid, Nathalie Chopra, Brune Failliot
Creative Director: Fred & Farid
Manager of Artistic direction: Feng Huang
Artistic Director: Julien Boulard

Copywriter: Julien Boulard

Managers of Advertiser: Philippe Cayla - Michael Peters - Olivier de Montchenu - Walid Chamak - Nathalie Champagne

Media strategist: Pascal Crifo (FFL Media)




Global rebranding for euronews by the independent agency FFL Paris (Fred & Farid)

The Spot And Beyond
euronews is unveiling the most important development in its 15 year history.

The news channel, together with the independent agency FFL Paris (Fred & Farid), has conducted a strategic renewal of its brand. Since june 4th, everything at euronews has changed: a new logo| a new signature | a new look | a new identity for the programmes | a new website | a new marketing campaign of unedited communication | and a new advertising campaign (film and print) has started.

euronews, the leading news channel in Europe
Since 1993, euronews has made its name among the international news channels. It is broadcast throughout the world and leads the European market in audience and distribution despite increasing competition. Audience success, however, is not enough; a brand war is taking place.

A new strategic and creative platform, developed together with the independent agency FFL Paris (Fred & Farid), to promote the news channel's philosophy, which is based on objectivity.
For 15 years, euronews has been fighting to broadcast accurate, verified information without any kind of bias. In January 2007, euronews joined forces with the independent agency FFL Paris (Fred & Farid) to combine its global media experience with that of a global communications agency to assess the strategic direction of the news channel. The purpose of the new platform is to highlight the relevance of the euronews model and demonstrate that prioritising facts over perspectives is a virtue at a time when society is experiencing increasing media corruption. In this era of the "citizen journalist ", euronews has adopted the crucial task of ensuring every European citizen is quickly made aware of the facts he needs to form his opinion of the world.

Consequently, the new brand platform of euronews boasts a distinct and unique model in a highly competitive news universe:
- No studio, no anchormen for a unique and immediately identifiable style;
- A European, and therefore, a different outlook on the world;
- A multilingualist approach enhanced by the introduction of an eighth language in 2008, Arabic;
- An editorial policy of broadcasting accurate and verified information.

The philosophy of euronews:
"At euronews, we think that to systematically adopt a sensationalist approach to information coerces and distorts the judgement of television viewers. At euronews, we believe in human intelligence, and we think that the role of a news channel is to provide every individual with sufficient material for him to form his own opinion of the world. "Journalism is not about bias; it is about transcribing reality with pure objectivity."

From this point on, every element of the re-branding process (the signature, the logo, the communications campaign and the media strategy) will advance reinforce the euronews promise.

A simple white circle as the new logo
A circle, one of the simplest geometric forms, is the ultimate symbol of simplicity and perfection. A colour code consisting purely of white, grey and black to highlight our dedication to the information itself and to position euronews as a universal channel (seen on FTP site indicated below).

A new brand signature, PURE encapsulates the euronews mission and its brand values in a single word.
The new euronews signature epitomises the fundamental values of the channel: honesty, integrity, neutrality, transparency in the broadcasting of information and, in particular, respect for the viewer who is looking for information over spectacle.

An advertising campaign that adheres to the principles of transparency in its style and content.
The euronews communications campaign is, above all, honest and transparent - like the news channel itself. The objectives of the communications are revealed and clearly explained to the consumer in terms of the message as well as the strategy and choice of media support. The print visuals and films are perfectly adapted to the supporting media - an original element has been produced for each distribution vehicle

A multimedia strategy developed by FFL Media
In the European daily newspapers and trade press (Germany, Spain, France, Italy, United Kingdom, and Russia) as well as in the United Arab Emirates and the United States; On display in airports and railway stations (London, Brussels, Paris, and Frankfurt); On TV (20" and 30" spot campaigns on Eurosport and Trace TV, June 2008); Online in the form of advertising on the Internet sites of European publications and as a viral marketing operation.

About euronews
Launched in January 1993 euronews covers world affairs from a European perspective. euronews is broadcast 24 hours a day, simultaneously in seven languages: English, French, German, Italian, Spanish, Portuguese and Russian. Arabic will become euronews' eighth fully-fledged language, and the service will be launched by the channel's newsroom in 2008.

euronews is broadcast all over the world, reaching 200 million households in 130 countries by cable, digital satellite and terrestrial distribution. The channel is also available on mobile operators (3G, VOD) in 20 European countries, on ADSL/High Speed Internet networks in 30 countries worldwide, and live on board the aircraft of international airlines. Viewers can watch euronews on their PDAs and live on the Internet in Europe on RealNetworks Superpass, and everywhere in the world through Jalipo. euronews and no comment TV are also available on YouTube.

euronews is the most-watched international news channel in Europe: every day, 3.2 million Europeans watch euronews on cable and satellite, while another 3.1 million watch on terrestrial channels (Source: euronews/Telmar Peaktime©, evaluation system based on viewer ratings, 3rd quarter 2007).

For More Information Contact FFL Paris
Eleonore Raillard (PR) | Eleonore.Raillard[at]fflparis.fr | Website: fflparis.fr











Tomato Spacer



Say Words/Your Words...

Double Twenty Unlocks The Secret Device For Hellboy II

hellboy2 Double Twenty recently wrapped an alternate reality game (ARG) for fans of the upcoming Hellboy II - The Golden Army film directed by Guillermo Del Toro. The transmedia property submerses players around the globe into a world of conspiracy and mystical adventure, using online interactivity, live action, live events, and print, all fused together in a non-linear mystery story. Double Twenty's Matt Wolf, a gaming industry veteran, was approached by Universal Pictures to create and produce the entire concept, storyline, game environment, and original content for the property. The previous ARG created by Wolf won a Primetime Creative Arts Emmy in 2007 for Outstanding Interactive for the property surrounding ABC Family's Fallen mini-series.

The ARG, called The Secret Device, launched in April, serving as a highly-interactive gaming experience and promotional tool to generate additional interest in the Hellboy II film property, which will be released in July. The first content released surrounded a mysterious organization called Humans for the Ethical Treatment of Fairies, Elves, and Trolls (www.hetfet.org), which ties directly into the Hellboy storyline. This served as the interactive hub for players, with a series of additional web assets (www.lexilloyd.com, www.thesecretdevice.com & www.panatrog.org) launching new pieces of the unfolding story. After opening the initial self-cracking lock, players collaboratively scoured for codes hidden in videos, news stories, photos, limericks, email, phone messages, and forums, also using YouTube, Facebook, Myspace, and Twitter to solve a series of interconnected puzzles. The investigative gaming process unfolds in real-time as more clues, codes, and supporting content gradually become available and are shared across the community. Players pieced together the final clues in early June, unlocking an intricate online device that launched the world premiere of an original animated Hellboy II prologue comic, also delivering a chance to win a trip to an early screening of the film, hosted by Guillermo Del Toro.

The experience attracted a large and loyal audience, ranging from first-time players to ARG veterans, already garnering over a half-million views across its online properties. During the ARG's two-month evolution, players were enchanted by deep content exploration, as they spent an average of eight minutes per visit across multiple impressions. Explaining the phenomenon Wolf notes, "Alternate reality entertainment and transmedia storytelling is really evolving and that's exactly what people love about the medium - it rarely takes the same form twice and is full of truly innovative content and technique. We took great care to craft a narrative that borrowed from the Hellboy II fiction, without infringing upon it or giving anything away. It's a pretty cool concept, as the public was able to experience a parallel universe that offered its own unique entertainment and backstory, while still promoting the film. It's certainly no longer a secret that big brands are recognizing the power of reaching and engaging their core audience and market with these convergent-content, deep-impression experiences." Wolf's background also includes creating and producing award-winning console and PC-based games for both EA and Sega before launching his own production company to help bring together interactive entertainment and cross-media storytelling. Commenting on what makes these projects successful, Wolf adds, "It's about using all forms of available media to really engage players and deliver the most authentic and compelling content and user experiences possible."

As a part of the ARG, there were 20+ live action web videos, also conceived and written by Wolf, and directed by Danny Trachtenberg of Tight, which were strategically leaked and syndicated across the web. These videos provided timely clues and background to the original characters from the unfolding story. One of the central characters, Lexi Lloyd, vlogs about the mysterious events of her summer home alone, which includes the reappearance of her allegedly deceased father. Elsewhere, classic military footage reveals strange government experiments and unusual creatures. Weaving all of the pieces together is a process that is very familiar to Wolf and Double Twenty, which specializes in creating immersive experiences, often in the form of ARG's, video games, and brand-related storytelling. In addition to the Emmy-winning game for Fallen, the Double Twenty has done award-winning work for brands such as Pepsi, FedEx, Coca-Cola, Nike, and The Simpsons, as well as directing brand and creative oversight for the recently released Bourne Conspiracy video game for Robert Ludlum's estate. Wolf's original game design concepts also helped Coca-Cola win a 2008 Webby for Game Design for a unique collection of online Happiness Factory games, where Wolf also served as Executive Producer through Shift Control Media and AKQA.

Credits
Client: Universal Pictures (The Secret Device Alternative Reality Game)
Agency: Double Twenty

Double Twenty Company Creds:
Executive Producer: Matt Wolf
Writer/Director/Game Design: Matt Wolf
Producer: Tania Thiele
Additional Writers: Tania Thiele, David Wohl
Puppet Masters: Tania Thiele, Matt Wolf

Lexi Vlogs, Panatrog Films &
Hooded Man Videos: Double Twenty
Creative Director: Matt Wolf
Written by: Matt Wolf

Production Company (Live-Action): Tight
Director: Dan Trachtenberg
Executive Producer: Rich Carter
Head of Production: Annie Hanlon
Producer: Ari Hakim

Editorial: Jigsaw
Editor: David Trachtenberg
VFX: Mark Leiss
Executive Producer: Kirstin Thon-Webb

Editorial: Cosmo Street Editorial
Editor: Asako Ushio
Executive Producer: Yvette Cobarrubias

Music: Finger Music & Sound Design
Composer: Dave Hodge

About Double Twenty
Double Twenty was founded in 2000 by Emmy Award-winning creator and producer Matt Wolf. Since then, the company has enjoyed success across interactive entertainment and content development, creating award-winning games, advertising strategies, and brand extensions for clients such as Pepsi, FedEx, Coca-Cola, Nike, and Gracie Films' The Simpsons. Wolf also oversees interactive brand and creative for the Robert Ludlum Estate, which recently released the highly-touted Bourne Conspiracy video game. The company specializes in creating and guiding all kinds of powerful content and intellectual property throughout the game creation and storytelling process-a path that often results in the fusion of media across videogames, television, film, print, online, and interactive.

About Matt Wolf

mwolf_press08 Matt Wolf is an Emmy Award-winning creator and producer. Spanning a fifteen-year run in gaming, Matt Wolf has been involved in the creative development of many successful video and computer games, board games, alternate reality entertainment, and advertising and promotional content. Wolf has been recently lending his creative direction and production expertise to several projects including the Bourne Conspiracy video game for the Robert Ludlum Estate and the alternate reality game preceding the launch of Universal's Hellboy II film. Many see Matt Wolf as a new breed of game maker and storyteller, given his ability to successfully blend new media and more traditional forms of entertainment such as TV and film

In 2006 Matt Wolf conceived the Fallen Alternate Reality Game (ARG) for ABC Family, which went on to win a 2007 Primetime Creative Arts Emmy, as well as prestigious awards at SXSW (South by Southwest) and the Banff World Television Festival. The string of success followed Wolf's launch of his own production studio in 2000, as he worked on a wide range of entertainment and advertising projects spanning television, film, interactive entertainment and integrated media for brands such as Coca-Cola, Pepsi, FedEx, and The Simpsons. In fact, through his relationship with Shift Control Media and AKQA, Matt served as game designer and EP for the Coca-Cola Happiness Factory online gaming project, which won a 2008 Webby Award for Game Design.

A lifelong gamer, Matt Wolf began his career at Electronic Arts in 1992. Over the next six years, he played key roles in production, design and marketing for several award-winning titles, across multiple genres and platforms. In 1998, Matt Wolf left Electronic Arts to take on the role of Executive Producer in charge of development for Sega Entertainment. At Sega, he oversaw product development and helped the company create over $50mm in revenue during his three-year tenure.

Matt continues to pioneer in the field of gaming, and over the last few years has bridged into more traditional forms such as TV and film to further authenticate his brand of entertainment. He no longer sees the boundaries of platform dependency when creating a game or story; instead, he's comfortable using all forms of media in concert, as a canvas to entertain with maximum effect.

For More Information Ping Trust
646.452.3388 (NY) | 310.451.5153 (LA) | Website: Trust Collective











Transistor Studio Back from Cannes

Back from Cannes unharmed and unscathed, this year's award season has been a success for one of the most vibrant and thriving design and animation studios around town. Check out some of the awards the Transistor crew has brought home proving that the studio's hard work has truly been paying off:


Cannes Lions
Cyber Lion (Automotive Products & Services 100K)
Hyundai Brand Site: thinkaboutit.com


Cannes Lions
Cyber Lions (Interactive Campaigns)
Hyundai Brand Site: thinkaboutit.com


Cannes Lions
Film Lions (Restaurants & Fast Food Outlets)
Burger King "Office Cowboys"

Cannes Lions
Titanium & Integrated Shortlist
Hewlett Packard "Paulo Coelho's Hands"


CFP-e Shots
Shortlist Non European Virals category
Transistor Studios/ Jamie Rockaway
Hewlett Packard "Paulo Coelho's Hands"


ProMax BDA Design Awards
Gold Art Direction & Design: iD Cartoon Network


ProMax BDA Design Awards
Silver on-Air commercial Advertisement
Hewlett Packard "Paulo Coelho's Hands"


ProMax BDA Design Awards
Silver Art Direction & Design: Special events Promo
ESPN "Skating"


ProMax BDA Design Awards
Bronze on-Air commercial Advertisement
Cranium "Launch"

Most recent projects that have been keeping the Transistor team busy.
BBC "Inside the Medieval Mind" is a whimsical favorite that channels "Monty Python's Flying Circus". Produced by Transistor Studios through London-based multimedia production company Strange Beast, and directed by Transistor’s James Price, this visual venture is certain to persuade viewers of all backgrounds to tune their televisions to an earlier era and a darker, more primitive world. Get tripped out here: "Inside the Medieval Mind"

Alternative band AKA's turned to Transistor Studios, a company whose work they have long admired, to bring their first track, "Dead Flowers Forever," to life. Although Transistor Studios has contributed to music videos in the past, this is a first for the production company in that this project is entirely theirs, from concept to final product. View the music video here: "Dead Flowers Forever"

Furnishings company Herman Miller has been around for decades, but never has the award-winning manufacturer promoted its products in such an inventive, visual manner. In collaboration with agency Mono, the 3 minute animation features entirely hand-drawn graffiti. The promo premiered on flat screens at NeoCon, the largest office furniture expo in the world. 3 minutes of creativity here: "Herman Miller"

Although Transistor Studios' portfolio includes notable work for a number of auto manufacturers, none represents such a revolutionary convergence of disciplines as "Think About It". The original design of the website has already garnered Transistor Studios a Gold and Silver World Medal from this year's New York Festivals Innovative Advertising Awards. Assuming the lead role in the site's interface design, Transistor Studios' contribution to thinkaboutit.com promises to deliver a seamless integration of both traditional and digital media, this time with even more design aspects than the initial venture. Ponder here: "thinkaboutit.com"

New York City-based Transistor Studios ((www.transistorstudios.com) is a highly regarded multiplatform production company that enjoys an international roster of creative personnel. Their expertise in motion design, animation and live action blends as they create award-winning design for broadcast, commercial, viral and interactive clients from all over the world. The company has been responsible for recent spots for Miller, Hewlett-Packard, Coca-Cola, BBC and Subway, as well as creating many of the design packages for the MTV Network. Transistor Studios has also received recognition from this year's Cannes and recently the BDA Awards, the AIGA Awards, and the Mobius Awards. Another notable achievement is the brand website for Hyundai, which garnered two World Medals at this year's New York Festivals.





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EPK Electronic Press Kit...

Missing Scenes Discovered From Fritz Lang's "Metropolis"

Fritz_Lang's_Metropolis HAMBURG, Germany, July 2/PRNewswire/ -- The following is a press pre-release of DIE ZEIT No. 28 first on sale on Thursday, 03 July 2008

For 80 years the original version of Fritz Lang's "Metropolis" has been considered lost. The ZEITmagazin shows details from the missing scenes of the 1927 masterpiece for the first time in its Thursday edition, and reports exclusively on how the film was tracked down in the archive of the Museo del Cine (Cinema Museum) in Buenos Aires.

Through this new discovery, key scenes from the silent film become more intelligible, minor characters now have leading parts.

Rainer Rother, Artistic Director of the Deutsche Kinemathek Museum in Berlin and the series of "Retrospectives" at the Berlinale, examined the footage for ZEITmagazin and comes to the following conclusion: "Metropolis, Fritz Lang's most famous film, can be seen through new eyes." For him the find represents a "sensational discovery".

Prof. Martin Koerber, the restorer of the most recent version of "Metropolis", who also examined the footage, confirms like Rainer Rother the authenticity of the material. He adds: "No matter how bad the condition of the material may be, the original intention of the film, including all of its minor characters and subplots, is now once again tangible for the normal viewer. The rhythm of the film has been restored."

Enno Patalas, the film historian and former director of the Munich Film Museum, who has been working on the reconstruction of the film since the 1970s, and was responsible along with Martin Koerber for producing the 2001 version of "Metropolis" current until today, talks of the "most authentic material that we know" after viewing the scenes.

Helmut Possmann, director of the Friedrich-Wilhelm-Murnau Foundation, the holder of the rights to "Metropolis", said to ZEITmagazine: "The material believed to be lost leads to a new understanding of the Fritz Lang masterpiece." Following the discovery, the Murnau Foundation sees itself as "responsible, along with the archive in Buenos Aires and our partners for making the material available to the public."

Source DIE ZEIT











Ricoh to Place First Eco-Powered Electronic Billboard in New York City's Times Square

Click High Res RICOH ECO POWERED BILLBOARD

RICOH_ECO_POWERED_BILLBOARD Artist rendering of the Ricoh Billboard in Times Square to be located at 7th Avenue and 42nd Street. The Ricoh Billboard will be the first eco-powered sign in Times Square, powered by solar and wind power.

WEST CALDWELL, N.J., July 2 /PRNewswire/ -- Ricoh Americas Corporation announced today that its parent company, Ricoh Company, Ltd. of Tokyo, will erect a sign in New York City's Times Square that will be 100 percent powered by solar and wind power. The electronic billboard, the first ever to be totally powered by natural resources in Times Square, will be located at 3 Times Square at the corner of 7th Avenue and 42nd Street.

The sign, which is 47 feet high by 126 feet long, will be illuminated by floodlights and powered by 45 solar panels and 4 turbines for wind generation. By using all natural energy sources, Ricoh will reduce the amount of CO2 usage by 18 tons per year. If there is not enough solar or wind power, the Times Square sign will not be illuminated. Ricoh also currently has a similar eco-powered sign in Osaka, Japan, that uses 100 percent solar and wind power.

"Ricoh is pleased to have such a large presence in Times Square, but we are even more excited that we will be able to do so without the need for an electrical power source other than those provided by natural resources," said Kirk Yoshida, Deputy President of Ricoh Company Ltd., and Chairman & CEO of Ricoh Americas Corporation. "By having the eco-friendly sign in Times Square, Ricoh will not only be able to promote our brand, but also show to the world that we are a leader in environmental conservation and at the forefront of sustainable environmental management for years."

Environmental preservation has been a top priority for Ricoh for over 30 years. In 1976 Ricoh established an Environmental Protection Group that works to keep Ricoh's environmental goals and strategies as a key consideration when planning, developing, designing and promoting new products and services. Out of this group, Ricoh developed an Environmental Action Plan that envisioned society in 2050 and its impact on the environment and business operations, concluding that companies need to develop specific action plans by focusing on the environment in the long-term. Through this program, Ricoh will be able to help businesses maintain operational efficiencies and at the same time reduce their carbon footprints.

About Ricoh Americas Corporation
Ricoh Americas Corporation, headquartered in West Caldwell, N.J., is a subsidiary of Ricoh Company, Ltd., the 72-year-old leading supplier of office automation equipment and electronics, with fiscal year 2007 sales in excess of $22 billion, a 7.3 percent increase over the previous year.

Ricoh Americas Corporation is an industry leader in creating innovate products and management processes that promote sustainability. As the Total Green Office Solution provider, Ricoh offers products, services and document management solutions that promote energy efficiency, pollution prevention, waste reduction and resource recycling. In early 2008, Corporate Knights Inc. of Canada named Ricoh one of the "Global 100 Most Sustainable Corporations in the World" for the fourth consecutive year.

Ricoh Americas Corporation directly or through its network of authorized dealers markets and distributes products in North, Central and South America. Information about Ricoh's complete range of products and services can be accessed on the World Wide Web at www.ricoh-usa.com.

SOURCE Ricoh Americas Corporation











Walmart U.S. Refreshes Stores 'Logo'

Walmart_LogoFor the past two years, a customer focused transformation has been taking place in Walmart's U.S. business.

Walmart's U.S. locations will update store logos as part of an ongoing evolution of its overall brand - customers have already seen this in refreshed store signage and recent print advertisements and TV commercials.

But what really matters is what happens out there in the stores. This update to the logo is simply a reflection of the refresh taking place inside our stores and our renewed sense of purpose to help people save money so they can live better.

The updated logo won't begin to appear on storefronts until the fall.

In its 46-year history, Wal-Mart has freshened up its logo on a number of occasions. Its last revision was in 1992.

Source Walmart U.S.





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News For You

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Weekly News Aptitude Test
A French court ordered eBay to pay $61 million to this company for allowing the sale of fake merchandise?
On the web @ reuters.com

A Milk Jug for a Green Earth
A simple change to the design of the gallon milk jug, adopted by Wal-Mart and Costco, seems made for the times. The jugs are cheaper to ship and better for the environment, the milk is fresher when it arrives in stores, and it costs less.
On the web @ nytimes.com

THE GREATEST CHASE OF ALL
An inside look at how they filmed BULLITT, the grand daddy of car pursuit movies.
On the web @ hottr6.com

GPS Of The Chase
Follow the pursuit on the map. Complete with the music.
On the web @ dsc.discovery.com

14 Science Questions the Next President Should Answer
What exactly do John McCain and Barack Obama know about science?
On the web @ blog.wired.com

This Is Sand
That is all....
On the web @ thisissand.com

Seven Things Barack Obama Should Do to Keep from Blowing It
ARIANNA HUFFINGTON Gives us her views.
On the web @ huffingtonpost.com

Cave Men Loved to Sing
Ancient hunters painted the sections of their cave dwellings where singing, humming and music sounded best, a new study suggests.
On the web @ livescience.com


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All Commercial Archive

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Podcast Food & Beverage Directory 2008

Episode's For July 2008
Coke Zero The Breakup

Episode's For June 2008
Dunkin Donuts Dragon
Orangina Handmade
Heineken Authenticity
McDonald's LineRider

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Heineken Share The Good
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Episode's For April 2008
V Energy Drink Tortoise
Bud Light Dude Vegas
Häagen Dazs Opera
Becks Different By Choice
Kuat New Can
Got Milk Witch
Grey Goose World Duty Free

Episode's For March 2008
Müller Lead A Müller Life
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7Up Bunny Burp
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Pepsi Stuff Justin Timberlake

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Podcast Automotive Directory 2008

Episode's For June 2008
Acura TSX Club
Quaker State Battle
Honda Jump
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Episode's For May 2008
Renault Sandero Inflatables
Vodafone Decisive Moments
Mitsubishi Robot Factory
Dodge Journey CUV Animates
Honda CRV Landscapeometer

Episode's For April 2008
Buick Tiger Art Family
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Episode's For March 2008
Toyota Made With A Human Touch
Buick Spotless
Renault Speed Dating
Renault Megane Parts

Episode's For Feb 2008
LandRover Cloud Hop
Audi Strings
Lexus Missing H

Episode's For Jan 2008
BMW Hydrogen

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Podcast Directory 2008

Episode's For July 08
IBM Harley-Davidson

Episode's For June 08
HP TouchSmart PC Maestro
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Pretty Polly Love Legs
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Louis Vuitton A Journey
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LG Because
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